Everyone’s a photographer these days.
I do it because I can’t really help it.
I see things. Little juxtapositions and oddservations that everyone else surely notices, but I just can’t leave them be.
I see things that aren’t even there too. Like a narrative playing out in a scene. Or, a surrealist take on the inanimate or ordinary. Well, it’s faster than painting it.
It seems my brain is hardwired for recurrent themes. There’s a bit of an obsession with details
. And cards
A lot of this undoubtedly stems from the inspiration I’ve stolen over the years from the likes of Henri Cartier-Bresson
, Bill Brandt
, Alfred Stieglitz
(for the clouds), Elliot Erwitt
, Martin Parr
, Gregory Crewdson
and most recently Trent Parke
And, like most of them, I strive for purity. I prefer natural light, and working in-camera. Alright then, maybe a little Photoshop from time to time.Sales:If you’d like a print to call your own
, then you can buy one right here on this website. You can opt for a quick turnaround lab-quality professional print. Or, an archival-quality giclée print. These ones are fussed over, stamped and signed by me.
Unless otherwise noted, I edition my work like publishers do with books. First edition, second edition and so on.If you’d like to use an image for commercial purposes
, you’re not alone. Join the likes of Condé Nast, Rough Guide, The Times, Diageo and Land Rover UK by effortlessly purchasing my images through alamy, here.Exhibitions:AOP Open
– 2007Gallery Vertigo – 2014Notable work:TPOTY award annual
– inauguralAOP open winner
– 2007Rough guide to Rome
– coverThanks for stopping by. Join the handfuls of people who keep up with me on twitter.